<rss version="0.92"><channel><title>Mechademia</title>
<link>http://mechademia.org/</link>

<item><title>CURRENT VOLUME</title>
<description>	&lt;p&gt;&lt;strong&gt;WAR/TIME  VOL. #4&lt;/strong&gt;&lt;/p&gt;

	&lt;p&gt;&lt;img src=&quot;http://mechademia.org/images/23.gif&quot; height=&quot;288&quot; width=&quot;202&quot; alt=&quot;&quot;   /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;BR&gt;&lt;br /&gt;
Preface: War/Time&lt;br /&gt;
Thomas LaMarre&lt;br /&gt;
&lt;BR&gt;&lt;br /&gt;
&lt;strong&gt;Legacies of Sovereignty&lt;/strong&gt;&lt;br /&gt;
The Filmic Time of Coloniality: &lt;br /&gt;
On Shinkai Makoto&#8217;s &lt;em&gt;The Place Promised in Our Early Days&lt;/em&gt;&lt;br /&gt;
Gavin Walker&lt;/p&gt;

	&lt;p&gt;Theorizing Manga: &lt;br /&gt;
Nationalism and Discourse on the Role of Wartime Manga&lt;br /&gt;
Rei Okamoto Inouye&lt;/p&gt;

	&lt;p&gt;Transcending the Victim&#8217;s History: &lt;br /&gt;
Takahata Isao&#8217;s &lt;em&gt;Grave of the Fireflies&lt;/em&gt;&lt;br /&gt;
Wendy Goldberg&lt;br /&gt;
&lt;BR&gt;&lt;br /&gt;
&lt;strong&gt;Control Room&lt;/strong&gt;&lt;br /&gt;
Gothic Politics: Oshii, War, and Life without Death&lt;br /&gt;
Tom Looser&lt;/p&gt;

	&lt;p&gt;Oshii Mamoru&#8217;s &lt;em&gt;Patlabor 2&lt;/em&gt;: &lt;br /&gt;
Terror, Theatricality, and Exceptions That Prove the Rule&lt;br /&gt;
Mark Anderson&lt;/p&gt;

	&lt;p&gt;Waiting for the Messiah: &lt;br /&gt;
The Becoming-Myth of &lt;em&gt;Evangelion&lt;/em&gt; and &lt;em&gt;Densha otoko&lt;/em&gt;&lt;br /&gt;
Christophe Thouny&lt;/p&gt;

	&lt;p&gt;War by Metaphor in &lt;em&gt;Densha otoko&lt;/em&gt;&lt;br /&gt;
Michael Fisch&lt;br /&gt;
&lt;BR&gt;&lt;br /&gt;
&lt;strong&gt;History/Memory&lt;/strong&gt;&lt;br /&gt;
Imagined History, Fading Memory: &lt;br /&gt;
Mastering Narrative in &lt;em&gt;Final Fantasy X&lt;/em&gt;&lt;br /&gt;
Dennis Washburn&lt;/p&gt;

	&lt;p&gt;Haunted Travelogue: &lt;br /&gt;
Hometowns, Ghost Towns, and Memories of War&lt;br /&gt;
Michael Dylan Foster&lt;/p&gt;

	&lt;p&gt;Three Views of the Rising Sun, Obliquely:&lt;br /&gt;
Keiji Nakazawa&#8217;s A-bomb, Osamu Tezuka&#8217;s &lt;em&gt;Adolf&lt;/em&gt;, and &lt;br /&gt;
Yoshinori Kobayashi&#8217;s Apologia&lt;br /&gt;
Sheng-mei Ma&lt;/p&gt;

	&lt;p&gt;Virtual Creation, Simulated Destruction, and Manufactured Memory &lt;br /&gt;
at the Art Mecho Museum in Second Life&lt;br /&gt;
Christopher Bolton&lt;br /&gt;
&lt;BR&gt;&lt;br /&gt;
&lt;strong&gt;Genre Violence&lt;/strong&gt;&lt;br /&gt;
Ninja, Hidden Christians, and the Two Ferreiras: &lt;br /&gt;
On End&#244; Sh&#251;saku and Yamada F&#251;tar&#244;&lt;br /&gt;
Takayuki Tatsumi&lt;br /&gt;
Translated by Seth Jacobowitz&lt;/p&gt;

	&lt;p&gt;Monsters at War: The Great Y&#244;kai Wars, 1968-2005&lt;br /&gt;
Z&#237;lia Papp&lt;/p&gt;

	&lt;p&gt;From Jusuheru to Jannu:&lt;br /&gt;
Girl Knights and Christian Witches in the Work of Miuchi Suzue&lt;br /&gt;
Rebecca Suter&lt;br /&gt;
&lt;BR&gt;&lt;br /&gt;
&lt;strong&gt;Mobilization/Domestication&lt;/strong&gt;&lt;br /&gt;
Empire through the Eyes of a &lt;em&gt;Yapoo&lt;/em&gt;:&lt;br /&gt;
Male Abjection in the Cult Classic &lt;em&gt;Beast Yapoo&lt;/em&gt;&lt;br /&gt;
Christine Marran&lt;/p&gt;

	&lt;p&gt;Nippon ex Machina:&lt;br /&gt;
Japanese Postwar Identity in Robot Anime and the Case of &lt;br /&gt;
&lt;em&gt;UFO Robo Grendizer&lt;/em&gt;&lt;br /&gt;
Marco Pellitteri&lt;/p&gt;

	&lt;p&gt;Kobayashi Yoshinori Is Dead:&lt;br /&gt;
Imperial War/Sick Liberal Peace/Neoliberal Class War&lt;br /&gt;
Mark Driscoll&lt;/p&gt;

	&lt;p&gt;Manga: A Comic Interlude from &lt;em&gt;Darumasan-ga-koronda&lt;/em&gt;, &lt;br /&gt;
&#8220;Land Mine in Central Park&#8221;&lt;br /&gt;
Yoji Sakate&lt;br /&gt;
Translated by Manami Shima&lt;br /&gt;
Art by Chinami Sango&lt;br /&gt;
&lt;BR&gt;&lt;br /&gt;
&lt;strong&gt;Review and Commentary&lt;/strong&gt;&lt;br /&gt;
Two Phases of Japanese Illustrated Fiction&lt;br /&gt;
Charles Shiro Inouye&lt;/p&gt;

	&lt;p&gt;Paradise Lost&#8230;and Found?&lt;br /&gt;
Paul Jackson&lt;/p&gt;

	&lt;p&gt;Molten Hot: Japanese Gal Subcultures and Fashions&lt;br /&gt;
Theresa M. Winge&lt;/p&gt;

	&lt;p&gt;Monstrous Toys of Capitalism&lt;br /&gt;
Brent Allison&lt;/p&gt;

	&lt;p&gt;If Casshern Doesn&#8217;t Do It, Who Will?&lt;br /&gt;
Deborah Shamoon&lt;/p&gt;

	&lt;p&gt;Psychoanalytic Cyberpunk Midsummer Night&#8217;s Dreamtime:&lt;br /&gt;
Kon Satoshi&#8217;s &lt;em&gt;Paprika&lt;/em&gt;&lt;br /&gt;
Timothy Perper and Martha Cornog&lt;/p&gt;

	&lt;p&gt;トレンド &lt;strong&gt;Torendo&lt;/strong&gt;&lt;br /&gt;
Interview with Murase Sh&#251;k&#244; and Sat&#244; Dai&lt;br /&gt;
Deborah Scally, Angela Drummond-Matthews, and Marc Hairston&lt;br /&gt;
(Translated by Chelsea Colin and Watanabe Yuki)&lt;br /&gt;
&lt;BR&gt;&lt;/p&gt;


 </description>
<link>http://mechademia.org/current/current-volume</link></item>
<item><title>Order Mechademia</title>
<description>	&lt;p&gt;Our publisher, &lt;a href=&quot;http://www.upress.umn.edu/Books/L/lunning_mechademia2.html&quot; title=&quot;Go to the University of Minnesota Press&#039;s website&quot;&gt; University of Minnesota Press&lt;/a&gt;, is now taking orders for the current issue of &lt;strong class=&quot;name&quot;&gt;Mechademia&lt;/strong&gt;...&lt;/p&gt;


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<item><title>Submission Format and Procedures </title>
<description>	&lt;p&gt;&lt;em&gt;Mechademia&lt;/em&gt; essays may be up to 5,000 words, plus citations. Shorter pieces are also welcome, and we will consider submissions in creative, non-traditional formats as well.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;Mechademia&lt;/em&gt; uses Chicago style documentation. Accepted pieces must be revised to conform with the citation and romanization guidelines in the Mechademia Style Guide, which can be downloaded from the link on this page.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;Mechademia&lt;/em&gt; encourages authors to include relevant illustrations, up to five black-and-white images per article. Color images may be possible with special permission from the publisher. In the case of copyrighted images or other copyrighted material, it is the author&#8217;s responsibility to obtain permission to reproduce the material, but authors need not have these permissions in hand at the submission stage. Note that screen grabs from films and anime, book covers and manga covers, and ephemera (including advertising) are considered fair use by the publisher; authors need not and should not seek permissions for these things.&lt;/p&gt;

	&lt;p&gt;Articles should be submitted in electronic form, as Microsoft Word (1997-2004 format), RTF, or PDF documents. Email these as attachments to submissions AT mechademia.org. Files larger than 5 MB should be sent through a file transmission service like http://www.mediafire.com.&lt;/p&gt;

	&lt;h4&gt;For questions about the submissions process&lt;/h4&gt;

	&lt;p&gt;Please contact:&lt;br /&gt;
Wendy Goldberg&lt;br /&gt;
Submissions Editor&lt;br /&gt;
submissions AT mechademia.org&lt;/p&gt;

	&lt;h4&gt;For other inquiries:&lt;/h4&gt;

	&lt;p&gt;Please contact:&lt;br /&gt;
Frenchy Lunning,&lt;br /&gt;
Editor-in-Chief, &lt;em&gt;Mechademia&lt;/em&gt; &lt;br /&gt;
frenchy AT mechademia.org&lt;/p&gt;


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<item><title>In the News</title>
<description>
	&lt;p&gt;&lt;b&gt;Mechademia is now available in its entirety &lt;a href=&quot;http://muse.jhu.edu/journals/mechademia/&quot;&gt;on Project Muse&lt;/a&gt;. &lt;/b&gt;&lt;BR&gt;&lt;BR&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&#8221;...as accessible as it was provocative and enlightening. Anybody interested in posthumanism will reap something from it.&#8221; &lt;/em&gt; Science Fiction Studies&lt;BR&gt;&lt;BR&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&#8220;With volume three &#8230; Mechademia has achieved a new level of excellence&#8221;&lt;/em&gt; &lt;br /&gt;
&#8212;Ed Sizemore, mangaworthreading.com&lt;BR&gt;&lt;BR&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&#8220;Mechademia 3 is a smart read, but never so smart that it gets ahead of itself or that it isn&#8217;t understandable.&#8221;&lt;/em&gt; activeanime.com&lt;BR&gt;&lt;BR&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&#8221;...recommended for all academic and public libraries.&#8221;&lt;/em&gt; &lt;br /&gt;
&#8212;Steve Raiteri, Library Journal&lt;BR&gt;&lt;BR&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&#8221;...recommend this journal to anyone who wants to explore deeply the themes, culture, and history of anime and manga.&#8221;&lt;/em&gt; &lt;br /&gt;
Comics Worth Reading&lt;BR&gt;&lt;BR&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&#8221;...an informative and inspiring read for those curious beyond the skin of anime, and even more so for those who wish to read more into the impacts of Eastern culture on the West.&#8221;&lt;/em&gt;  &lt;br /&gt;
Nichi Bei Times Weekly&lt;/a&gt;&lt;/p&gt;


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<item><title>Mechademia Style Guide</title>
<description>	&lt;p&gt;Download the &lt;a href=&quot;http://mechademia.org/textpattern/Mechademiastyleguide.pdf&quot;&gt;&lt;em&gt;Mechademia&lt;/em&gt; Style Guide (vers. 3.8, June 2009) &#8211; pdf format&lt;/a&gt;&lt;/p&gt;



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